петък, 9 май 2014 г.

El Greco And Manet Paintings

By Darren Hartley


Following the footsteps of Greek artists, El Greco paintings show mastery in Post-Byzantine art. A great majority of the time El Greco spent in Rome was used to develop a style, adopting elements from both Mannerism and Venetian Renaissance.

The best masterful El Greco paintings were produced in Toledo, Spain at a time when El Greco truly blossomed as an artist. The focus of his work was on highly expressive and visionary religious works. The rare times he ventured away from the genre produced compelling portraits, landscape paintings, mythological works and sculptures.

Particularly notable for their undulating forms, epic scale and expressive distortions are the later El Greco paintings. Color, for El Greco, is the most important element in painting. As a matter of fact, he even declared that color should have primacy over form. In his mature works, he had the tendency to dramatize instead of describe. His works in general directly affected his audience because of the strong spiritual emotion they convey.

Depictions of everyday scenes of people and city life are what Manet paintings are all about. In the transition from realism to impressionism, Edouard Manet was considered a leading artist. The Luncheon on the Grass and Olympia are among his most famous works.

Most arresting among Manet paintings is a portrait showing a young woman wearing a black ribbon around her neck and a dashingly blue ribbon in her hair. The model for this portrait was Victorine Meurent, who also happens to be the model in one of the most notorious paintings in the world, also done by Edouard.

In Olympia, accredited to be among the most famous of Manet paintings, Victorine posed as a prostitute, completely in the nude except for a black ribbon around her neck and a satin slipper on her foot. In The Luncheon on the Grass, she posed as a naked woman surrounded by two fully dressed men enjoying a picnic. In Mlle V in the Costume of an Espada, she posed as a bullfighter in very unsuitable shoes.




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